Fa

Assistant Professor at the Faculty of Art and Architecture

Department of Painting

  • Ph.D. (2017)

    Analytical History of Islamic arts

    Graduate Studies, Arts University, Tehran, iran

  • M.A. (2007)

    painting

    Fine Arts, Tehran University, Tehran, iran

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    Publications

    Abstract

    A Study in Foucault s Archaeology as a Practical method for Painting (picture) Analysis

    S Royan
    Journal Paper , , {Pages }

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    A study in importance and operation of the illustration of history in Safavid era

    Samira Royan, Samad Samanian
    Journal Paper , Volume 9 , Issue 1800420, 2017 January , {Pages 81-100 }

    Abstract

    The number of illustrated historical manuscripts which survived from Safavid time, are very few in comparison with other illustrated literary works of this era and also the illustrated historical texts of their Muslim neighbors-Ottoman and Mughal of India. So, Scholars believe that Safavids were not interested in the illustration of their history, and that it shows a break from Iranian tradition of illustrating history which came back at least to Sasanids. Scholars consider this unwillingness to the illustrating of history as a result of the qualities of Safavid painting, such as following common models and avoiding realism, which separated their painting from their counterparts. In respect, the scholarly writings on picturing history in Sa

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    Visibility-Power Relations in Foucault s Tought

    Samira Royan, Samad Samanian, Masoud Olia
    Journal PaperWisdom And Philosophy , Volume 12 , Issue 48, 2016 December 21, {Pages 85-104 }

    Abstract

    Visibility, as a key factor in Foucault’s analyses, had a major role in his thought. It is represented in three ways in his studies: as visual descriptions, as a principle in formation of knowledge, and as a technology of power. Although Foucault’s emphasis on visual descriptions made some scholars considering him as a visual philosopher, by contrast, his revealing of visibility-power relation, induced others to describe him as an opponent of ocularcentrism and believe that Foucault uses “vision” for “denigration of vision”. Thus, this article, by clarifying Foucault’s approach to “vision” and “visibility”, tries to represent a subtle image of visibility-power relation in his thought. In this article, we will discuss t

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    Teaching

    Current Teaching

    • MS.c.

      Comparative Criticism of Fundamental Theories of Western and Eastern Art

    • MS.c.

      Analytical History of Contemporary Art of Iran and the World

    • Ph.D.

      Literature and Painting in Iran

    Teaching History

    • MS.c.

      Contemporary Painting in Iran

    • MS.c.

      English for Arts

    • MS.c.

      Theories and Criticism of Visual Arts

    People

    • 2022
      Rezaei, Abolfazl
      Title:The Influence of Visual Expression on Improving the Self-Esteem of Addicted Young MenPractical Project : The Phoenix
    • 2022
      FATEH, MOONES
    • 2022
      Yusefzadeh, Fatemeh

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